The Not so Friendly, Arnold Friend Essay Example for Free

The Not so Friendly, Arnold Friend Essay When Connie gets the telephone she hears something on the other line, a sort of thundering clamor that you hear in those startling motion pictures about the villain. Arnold additionally converses with Connie as though he were stating verses from one of her main tunes knowing how enthusiastically Connie will effectively fit in with the way of life music gives. Arnold Friend tells Connie, â€Å"We’ll go out to a decent field, out in the nation here where it smells so pleasant and it’s sunny†¦I’ll have my arms around you so you won’t need to attempt to escape and I’ll give you what love resembles, what it does† (Oates 628). He continues directing sweet sentiments toward Connie to make her come out behind the screen entryway and approach him, however she doesn't appear to come to him as a result of how kind he says his words, but since of the dread that has developed from them. Arnold Friend was nearly portraying the following couple of moments of he life as though it was currently his to guarantee, â€Å"Now come out through the kitchen to me nectar and let’s see a grin, attempt it, you’re a valiant sweet young lady. † And as he said this, â€Å"She put out her hand against the screen. She watched herself push the entryway gradually open as though she were sheltered back some place in the other entryway, watching this body and this head of long hair moving out into the daylight where Arnold Friend waited† (Oates628). Another explanation that Arnold Friend radiates a startling picture is that his ordinary youngster look is the nearly â€Å"too real† of a look. Arnold Friend is only a picture that he knows Connie needs to find in a person and has found in a ton of them. The storyteller says, â€Å"[Connie] perceived most things about him, the tight shirt, an even that dangerous well disposed grin of his, that drowsy fantastic grin that all the young men used to get across thoughts they didn’t wan to place into word†¦But every one of these things didn't come together† (Oates 623). Arnold Friend has that look to him that most young ladies would believe is alluring, and yet there is something that was not directly about him. Arnold left his glasses on for the greater part of the discussion, however when he took them off the skin around his eyes were so pale they caused his eyes to appear to shine in an otherworldly manner. The storyteller states, â€Å"He removed the shades and she perceived how pale the skin around his eyes was, similar to hold that were not in shadow yet rather in light. His eyes were chips of broken glass that get the light in an affable way† (Oates 622), making his eyes seem as though they were gleaming like they would on something extraordinary. Oates additionally continues clarifying that after Arnold Friend puts his glasses on his head he did it carefully â€Å"as on the off chance that he were undoubtedly wearing a wig† (Oates 624). Arnold Friend could be wearing a wig to just challenge his age so Connie will go on a ride with him or additionally to shroud the horns on his head, similar to the demon has. â€Å"His entire face was a veil, she thought uncontrollably, tanned down onto his throat yet then running out as though he had put cosmetics all over yet had overlooked his throat. † (Oates 625). The last explanation that Arnold Friend radiates a startling picture is the information he passes on about and with Connie. Arnold Friend much of the time tells Connie of his insight into her family, neighbors and herself. When Connie hears Arnold state her name just because she discloses to him that she never said her name and he advises her accordingly, â€Å"But I recognize what it is. I know your name and about you, bunches of things† (Oates 622). He keeps on revealing to her a portion of the data he thinks about her, â€Å"I know your folks and sister are headed off to some place and I know where and to what extent they’re going to be gone, and I know who you were with the previous evening, and your best young lady friend’s name is Betty† (Oates 622). In any case, Arnold’s information is only realities about Connie’s life and family, Oates additionally depicts his insight Connie as though he was there viewing these occasions that Connie’s family is separated of. Arnold Friend says, â€Å"Aunt Tillie’s. At the present time they’re-uh-they’re drinking. Sitting around,† he said enigmatically, squinting as though he were gazing right to town and over to Aunt Tillie’s patio. At that point the vision appears to get clear and he gestured energetically† (Oates 624). He keeps on revealing to Connie things that an outsider ought not think about her and her environmental factors. He converses with Connie about a â€Å"Old lady down the road,† and Connie answers that she is dead. Not exclusively does his insight into the elderly person being Connie’s neighbor depict the fiend and radiate a startling vibe to Connie, yet in addition the information on her demise as though he were frightening Connie. Arnold marginally even gives Connie a bit of hinting of her future with him. Through control, picture, and information Arnold Friend passes on a picture of the insidiousness and the fallen angel and radiates a startling vibe to Connie. He attempts to conceal his actual self and give out this picture of the normal person that Connie would be intrigued. He utilized that Rock amp; Roll mainstream society to draw in Connie and than utilized his insight to scare and control her into offering her spirit to him. Works Cited Oates, Joyce Carol. â€Å"Where Are You Going, Where Have You Been†? Writing: Reading, Reacting, Writing. Ed. Laurie G. Kirszner and Stephen R. Mandell. seventh ed. Boston: Wadsworth, 2010. 615-28. Print.